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HELLO,
I am Flora, a mudbaker based in London, UK.
I draw inspiration from the natural landscapes of my childhood in the French Pyrénées, and from Japanese pottery traditions, using hand-carving, hakeme brush marking techniques, and wood-ash glazes to create vessels that balance heritage and personal expression. Each of my piece reflects traces of spontaneity, imperfection, and quiet craftsmanship, celebrating the beauty of impermanence and inviting moments of connection and contemplation. My work is always evolving in a constant exploration around textures, organic lines and natural tones. Simple, serene and soulful, most of my pieces are functional and all are hand crafted from my garden studio in Greenwich (London, UK), where all my work is fired in an electric kiln.
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"I believe that as a potter, I have a duty to promote the concept of eco-herence, or coherent sustainability, through mindful practices and ecocaring working habits. As an example of those little gestures which can make a difference, since I started selling my pots online, I have tried to avoid plastic as a ceramic wrapping staple. I have embraced eco-friendly recyclable packaging materials, so don't be surprised if you receive your next order, wrapped in recycled papers and cardboard boxes."
Recyclable/recycled packaging material
Worldwide shipping
Slowmade by hand
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"In my work, I draw deeply from the rich traditions of Japanese pottery, especially the techniques of hand-carving and hakeme brush marking. These methods allow me to connect with centuries of craftsmanship while exploring my own path.
"Thanks Flora for those gorgeous pieces. Everything is perfect, the colours, the finishes, the textures."”
Olivia, France
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"My main source of inspiration comes from nature, the one I grew up around in Southwest of France, where the mountains meet the waters. My preference goes to simple patterns and shapes with an organic twist, natural colours, muted tones and tactile textures. I like to incorporate foraged or waste materials in my make: it can be dry grasses bundled in a brush to apply slip with the hakeme method, wood-ashes which I incorporate in my glazes or a wild clay, foraged down a river bed to apply as a brushed-on engobe."
